“The opening sentence should be like an arrow shot from a bow: it will shoot through the entire text.” The late biographer Henry Mayer, a generous man, once gave me this advice. I’d approached him after a reading for his biography of abolitionist William Lloyd Garrison, and when I asked him a question he offered to meet me for coffee.
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Writing, for me, is pure: totally involving, pleasurable, existing only for itself, not the end product. In the same way I cherish hiking a trail in the woods early morning, eager to see cottontail rabbits leaping into the brush, or the joy I get pulling weeds in my flower garden--where the aromas of leaves and fresh dirt fill my nostrils--writing is an activity that fully absorbs me. When I finish, I'm flushed with pleasure. Read More
Did you plan to start on that new writing project yesterday, but then discover that your oven needed cleaning—urgently? You simply couldn’t stand the flaky grime one more day. Or the phone rang just as you sat down to begin and two hours later you realized you allowed yourself to get caught Read More
The details you use to ground your writing are like the spices you sprinkle on your food. They give it life and make it uniquely your own. When I cook petrale sole it’s too bland unless I splash ginger powder, garlic, and red pepper into the pan. Sometime I sauté a green onion, Read More
I’ve read books that start so well I think contentedly, Ah, this one I’m going to like; but fifty or seventy-five pages in the prose goes flat, the plot grows confusing or boring, and I close the book in disappointment.
Yet as a writer I understand: it’s easy to bog down Read More
I love circles, especially in writing, where the author cycles back at the end of an essay or book to a reference from the opening. Joseph Campell’s book The Hero With a Thousand Faces defined this pattern in drama, myth, and religious ritual: a protagonist, forced from home, leaves the ordinary world to Read More