|
TIPS FOR WRITERS"Books aren't written, they're rewritten." The published words on a page, which read so artfully and gracefully, have likely been worked and reworked countless times. Have patience. With diligent polishing, your sentences too will shine. 1. Does your first paragraph bring readers in? How gripping, mysterious, or compelling can you render it? The opening sentence should be like an arrow shot from a bow: it will shoot through the entire text. 2. Is there a clear setting for your essay or story? Keep anecdotes grounded in specific locations. The more vivid and specific your details, the more memorable the scene. If your action occurs near a tree or shrub, name it: Is it an acacia bursting with yellow buds, a weeping willow that sways in the wind, or a fiery red Japanese maple? Let your enivronment enhance the mood. 3. Is there sufficient dialogue? (That’s the part readers rarely skip.) Read drafts aloud to keep the rhythms lifelike. 4. Does the central character change? We want to see movement and transformation, which is the heart of literature. 5. Can you find needless duplication? Look for synonyms or alternate wording that will keep your manuscript fresh. Most of us have writing "tics," words or phrases that creep onto every page. Be alert to your repetitive habits. 6. Can you delete words? Padding like “In fact,” “actually,” “very,” “almost,” or “often” weaken prose. Cut them and your sentences will spring to life. 7. Are you interested? Writing that keeps the writer awake at night will keep the reader awake. When you are passionate about your subject, that heat will infuse the pages. 8. Insert strong, active verbs. "She electrified the room" or "She loped into the room," rather than, "She is in the room" or "She entered the room." 9. Cut long lists, which glaze readers' eyes. Name several specifics—whether daisies, despair, or rat-infested condos--to represent the whole. 10. Is there a subtext? The most fascinating writing is layered. You have an apparent situation, but the real story swims below the surface. An intent reader will notice it subtly emerge. Finally, remember: What do writers do? They write. Happy writing! |
Selected WorksFiction
In this new book from author Joan Steinau Lester, Nina never thought much about her biracial heritage until her parents divorced. Now both of Nina’s parents are trying to assert their cultural identity, while in her San Francisco Bay Area hometown racial tensions flare, and Nina feels caught in the battle. Conflicted and alone, Nina turns to the story of her great-great grandmother who escaped from slavery, hoping to find wisdom and direction in her predecessor’s tale.
*************************************
"Black, White, Other offers up a rich and compelling insight into the formation of identity during adolescence as Lester poignantly depicts a young girl’s struggle to break free from her sheltered upbringing and find her own voice. Nina’s innocent and deeply emotional perspective throughout Lester’s complex storyline offers an accessible and powerful
introduction to issues of race and identity." Shameless Magazine
BIOGRAPHY
Showcases the many facets of a woman--Congresswoman Eleanor Holmes Norton--who remains an iconic torch-bearer for the Civil Rights and Women's Movements
CONTEMPORARY AFFAIRS
"This refreshing book captures what most miss--insightful lessons from personal encounters with diversity. Lester is a talented storyteller who shares her learning in an unpretentious way." ANN M. MORRISON, author of The New Leaders
"Lester's generous voice sheds keen insight, humor and practical advice on the polarizing dilemmas of living with diversity." URVASHI VAID
"Terrific writer." ANN RICHARDS
SELF-HELP/WOMEN'S ISSUES
Offers proven, effective strategies for every woman, whether secretary or CEO. Provides encouragement and goal-setting guidelines.
"Lucid...poignant."-- MS. |